Leslie Sacks Contemporary
Aldeburgh Lookout Residency, Caroline Wiseman Gallery, UK

Fictional Realities: Fahey Klein Gallery, CA

Hyper Architectural Typologies: California Museum of Photography University of California Riverside, CA

Fictional Realities: Laguna Art Museum, Laguna Beach, CA
Scott Richards Contemporary Art, CA

blasthaus Gallery with Trevor Trainer, CA
Fotofest Biennial: with Ann Stautberg, Barbara Davies, Gallery, Houston, TX

Littlejohn Contemporary, New York, NY
American Intercontinental University, CA
Aberrant Excursions: Irvine Fine Arts Center, Irvine, CA

Susanne Vielmetter Los Angeles Projects, Los Angeles, CA

Littlejohn Contemporary, New York, NY

Littlejohn Contemporary, New York, NY

Patricia Correia Gallery, Santa Monica, CA
Jeffrey Coploff with Susan Batu, Fine Art, New York, NY

London Art Fair, Caroline Wiseman Gallery, UK

Cities Curated by Camilla Boemio Torrance Art Museum, CA
Perceptions Leslie Sacks Fine Art, CA

Fictional Realities: Fahey Klein Gallery, CA

Scott Richards Contemporary Art, CA

Melissa Morgan Fine Arts, CA
Red Dot Art Fair, London, UK
Empty Quarter Gallery Dubai, UAE
Bridge Art Fair New York, NY
Los Angeles Art Fair, Santa Monica, CA
Palm Beach 2 Art Fair, FL

Family Garden Curated by Shana Nys Dambrot, Elizabeth Piage Smith Gallery, CA
Santa Fe Art Fair, Art Santa Fe, NM
Washington DC Art Fair, Art DC, WA
Los Angeles Art Fair, Santa Monica, CA
Miami, Art Fair Miami, FL

Natural Reaction: Curated by Summer Guthery & David Smith, Tastes Like Chicken Gallery, NY
Taking Inventory: Transformation through Compilation, Mark Moore Gallery, CA
Art Miami Fair, Scott Richards Contemporary, Art, FL

Toronto Art Fair, Scott Richards Contemporary Art, Canada
Affordable Art Fair, Littlejohn Contemporary, New York, NY
Photo, San Francisco, blasthaus, CA
Gridlock: Raid Projects, Los Angeles, CA
Opening Bloom: Barbara Davis Gallery, Houston, TX
California Visions: Long Beach Museum, CA
Los Angeles, Art Fair, Littlejohn Contemporary Gallery, New York, NY
London Art Fair, Caroline Wiseman Gallery, London, UK

Nicholson’s A Vital Simplicity: Caroline Wiseman Gallery, London
Sawtelle The Sequel: The Beaker Gallery, FL
Ultra Chrome: Carl Berg Gallery, CA
Crazy Thoughts Have Quick Wings: Curated by Eve Wood, Cirrus Gallery, CA
H2O: Curated by Lothar Schmitz, Cross Roads, Santa Monica, CA

Midas: Curated by Martin Durazo & Sherin Guiguis, Post, CA
Playing with a full pack: Laguna Art Museum, CA
Genius Loci: Curated by Barbara Davies, DMJM Rottet Studio, Houston TX
Perogi 2000, Flat Files, New Work, Brooklyn, NY
Deutsche Bank, London, UK
Gridlock Curated by Kristina Newhouse, West LA Community College, CA
California State Senate Contemporary Art Collection, CA
Sequel: Domestic Setting, Los Angeles, CA
La Hot: Barbara Davies Gallery, Houston, TX

Five superior an exhibition: space Cleveland, OH
Island: organized by Giant, 77 Broadway Market, London, UK
Loco for Rococo: Curated by Mark Brogen, The Nunnery, London, UK

UFO Show curated by Barry Blinderman, The Gibson Gallery, The Art Museum,
State University of New York Potsdam, NY
Fractals curated by Carl F. Berg, Korean Cultural Center, CA
Inaugural Show: Raid Projects, Los Angeles, CA
Mural II: Curated by Carl F. Berg, Irvine Fine Arts Center, Irvine, CA
Rising Tide: Curated by Max Presneill, Orange County Contemporary Art Center, CA
Small Particles Curated by Geoffrey Allen, Pasadena City College Art Gallery, CA
Going Digital Palos Verdes Art Center, Long Beach, CA

Media 2000: Irvine Fine Arts Centre, Irvine, CA
UFO Show: Curated by Barry Blinderman, University of Colorado, Colorado Springs, CO
UFO Show: Curated by Barry Blinderman, Arts & Sciences Centre for Arkansas, AK
Three's Company: Curated by Paul Paiement, Cypress College Gallery, Cypress, CA
ART 2000 Millard Sheets Gallery, Pomona, CA
Luminous: Co-curated by Leonard Bravo and Chris Miles, Ikon Gallery, Santa Monica, CA
Robert Kidd Gallery, Birmingham, Michigan, MI
UFO Show: Curated by Barry Blinderman State University of Illinois Galleries, Normal, IL
Digitally Propelled Ideas: Curated by Diane Fenster, Cal Poly University of Pomona, CA

Abstraction: New Directions for a New Millennium, Robert Kidd Gallery, Birmingham, MI
Room Service: Curated by Jeanne Patterson, The Living Room, Santa Monica, CA
Flat files: Nylon Gallery, London, UK
Skin Deep: Patricia Correia Gallery, Santa Monica, UK
Biennial: Orange County Museum of Art Newport Beach, CA
Limits: Arizona State University Art Museum, Tempe, AZ
Limits: The Dollhouse Gallery, Los Angeles, CA

Unnatural Selection: Raritan College, NJ
Littlejohn Contemporary, New York, NY
One Night Stand: Farmers Daughter Motel, Los Angeles, CA
1990's Project Room: Patricia Correia Gallery, Santa Monica, CA
Pop Surrealism: The Aldrich Museum of Contemporary Art, Ridgefield, CT

Spanish Kitchen, Los Angeles, CA
Patricia Correia Gallery, Santa Monica, CA
Sizzle: Jeffrey Coploff Fine Art, New York, NY

Flat files: Pierogi 2000, Brooklyn, NY

Sarah Medford
Sandcastles Wallis Annenberg Goes Modern In Malibu pg 151, Oct 2010

Adam Crawford
From Paint Brush to Pixels Photo Media Magazine, Pg 24-31 Summer 2010

Eve Wood Hyper
Architectural Typologies, California Museum of Photography, Artillery Magazine, Aug.

Alexandria Abramian-Mott
Talk of the Town, Angeleno Magazine, Pg 194 September, CA

Eve Wood
Fictional Realities, Laguna Museum of Art, Art Us, May.

Shana Nys Dambrot
"The edgy L.A.- based British transplant merges evocations of architecture  and nature, painting in pixels to make time stand still 'Fictional Realities'," Laguna Museum of Art, Art Ltd, March.

Suzie Harrison
Cityscape Artists a Century Apart Laguna Beach Independent

Michael Leaverton – The Metallurgists The Dizzing Worlds of “Altered States”, San Fransisco Weekly. Pg 26, September 7, CA

Sue Herdman – Keeping it The Family, Home & Antiques BBC pg 59, September 05. UK Art Daily Magazine.com Venice Art Walk “On The Fringe”

Edie Cohen – Interior Design Magazine “A Family Affair” pg 164-165 February

Georgina Adam – Preview The Art News Paper “A Vital Simplicity” at Caroline Wiseman Gallery

Judith Bumpus Nicholson Dynasties “A Vital Simplicity” at Caroline Wiseman Gallery Galleries Magazine Pg 16, November, UK

Godfrey Barker – A Colourful Family “A Vital Simplicity” Evening Standard Magazine Pgs,
19-21, 29 October 2004, UK.

Eve Wood – “Digital Splendor” Ultra Chrome Carl Berg Gallery, Artnet September, CA

Alexandria Abramian-Mott Angeleno – Magazine Windswept pg 213 September, CA

Shana Nys Dambrot – H2O at the Sam Francis Gallery, Crossroads School, Artweek April Issue 3, C

Texas Style and Substance, Brilliant March, TX

Eve Wood – Water Everywhere “H20”, Crossroads School for Arts and Sciences, Artnet March 5th

Zerodegrees Monthly Feature on Zerodegreesart.com, November, CA,

Flavour Pill “Gridlock” West Los Angeles Collage Fine Arts Complex, Flavor Pill

Kristina Newhouse – "Sequel" at Domestic Setting, Artnet, April 17th, CA

Hilly Janes – “A Head of The Curve” The Observer Magazine, March 16th (UK)

Eve Wood – Zealous Imaginings “Aberrant Excursions” at Irvine Fine art Center, Artnet, February.

Rebecca Schoenkopf – “Let a Thousand Murals Bloom” Irvine Fine Art Center, CA, Orange County Weekly, September.

Rebecca Schoenkopf – “Orange County Likes Its Vodka To” Irvine Fine Art Center, CA, Coagula Art Journal, September.

James Scarborough –  “Murals II”, Irvine Fine Arts Center, CA, New York Fine Arts Magazine, October.

Dave Roote – “Beam Me Up “UFO Show” University Of Colorado Colorado Springs Colorado Springs Independent, December 14-20.

Mark Arnes – “Weird Science” “UFO Show” University Of Colorado Colorado Springs, Colorado Springs Gazette, December.

Debbie Council – "Celebrate Youth at the Millard Sheets Gallery," Daily Bulletin, September 17.

David Pagel – Art Reviews, "Luminous" at Ikon Ltd/ Kay Richards Fine Art, Los Angeles Times, July 28.

Peter Frank – Art Picks of the Week: "Luminous" at Ikon Ltd, Los Angeles Weekly, June 22.

Melissa Merli – UFO Art Show Has Layers of Meaning 'The UFO Show" University Galleries at Illinois State University, Curated by Barry Blinderman,s The News Gazette March 12.

Gary A Panetta – "Seeing extraterrestrial Life in new way." 'The UFO Show" University Galleries at Illinois State University, Curated by Barry Blinderman's Journal Star, March 5.

Frank Provenzano – “Three Birmingham Galleries Demonstrate the Variety of Contemporary Painting,“ Abstraction: New Directions For a New Millennium at the Robert Kidd Gallery The Birmingham Eccentric, November.

Hea-Jeong Lee – “Body And Efflux,” Skin Deep at Patricia Correia, Wolganmisool, Monthly Art Magazine, Seoul, Korea, June.

Peter Frank – "Art Picks of the Week: Skin Deep at Patricia Correia," Los Angeles Weekly, April 1.

Lauri Mendenhall – “Projects for Pleasure,” 1999 Biennial at Orange County Museum of Art, Coast Orange County, April 1999.

Cathy Curtis – "Formal Boundaries Take Some Life From 'Biennial', 1999 Biennial at Orange County Museum of Art, Los Angeles Times, March 2.

Cathy Curtis – "Method Madness: 1999 Biennial," 1999 Biennial at Orange County Museum of Art, Los Angeles Times (Orange County Edition), February 24.

J. Bower Bell – Review: The Critical State of Visual Art in New York, Jeremy Kidd at Littlejohn Contemporary, February 15.

Daniella Walsh – "1999 Biennial: Ten Young Artists Put Aside Angst to Produce Pieces with a Sense of Fun," The Orange County Register, February 14.

Zan Dubin –  "A Range of Approaches and Materials Transform the Real World Into the 35 Works in 1999 Biennial" Los Angeles Times (Orange County Edition), February 6.

Barry Schwabsky – "Abstract Painting, Though Not Entirely: Review Of Unnatural Selection Exhibition," The New York Times, October 25.

Anne Dagbert – "Bergamot Station Arts Center," Art Press, #238, September.

Mario Cutajar – "Reviews," at Patricia Correia, Art/Text, Summer Edition.

Claudine Ise Р"Art Reviews,” at Patricia Correia, Los Angeles Times, May 1.

Dominique Nahas – Review: The Critical State of Visual Art in New York, review of Jeremy Kidd at Jeffrey Coploff, February 1.

Jennifer Dalton – Review: The Critical State of Visual Art in New York, review of Jeremy Kidd at Jeffrey Coploff, February 1.

Peter Frank "Art Pick of the Week," Los Angeles Weekly, April 4-10.

Tyler Stallings – "Fictional Realities-The Lore of Human Kind" in Jeremy Kidd's New Work Laguna Museum of Art, 2007.

Frances Spalding – "A Vital Simplicity Four Generations of Nicholson's Family", (pgs.10,11,27) UK

Christopher Miles – "Jeremy Kidd Out of Order" Susanne Vielmetter, Los Angeles Projects, CA

Max Presneil – "Rising Tide" Orange County Center for Contemporary Art, Curated by Max Presneil, CA(pg. 8).

Patrick Merrill – "Digital Propelled Ideas" Cal Poly Pomona, (pg. 6).

Barry Blinderman – "The UFO Show" University Galleries, State University of and Bill Conger Illinois Galleries, Normal, IL (pg. 4, 81, 85, 98, 105.).

Christopher Miles – "Three's Company" Cypress College Fine Arts Gallery, Orange County CA, September, (pg.16-21).

Bruce Guenther – "1999 Biennial" Orange County Museum of Art, Newport Beach, CA, February, (pg. 32-3).

Thomas McGlynn – "Unnatural Selection: The Transformation of Nature in Abstraction", Raritan Valley Community College Art Gallery, North Branch, NJ, October.

Dominique Nahas – "Pop Surrealism", The Aldrich Museum of Contemporary Art, Richard Klein Ridgefield CT, (pg. 59)

Frame of Mind domestic setting, Mar Vista, CA

Tinseltown domestic setting, Mar Vista, CA
TransFab domestic setting, Mar Vista, CA

Skin Deep Patricia Correia Gallery, Santa Monica, CA

American Embassy Algeria
American Embassy Panama

Nokia

California State Senate Contemporary Art Collection, CA

Orange County Museum of Art, Newport Beach, CA

Kaiser Permanente, CA

Otis Parsons School of the Arts, Los Angeles, CA

California Institute for the Arts, Valencia, CA

National University, San Diego, CA